A Requiem for Mollywood
Frightening words these for
this boom town in the western Uttar Pradesh that once upon a time was home of
Hindi’s bestselling pulp fiction ( it sold over a million copies of Vardi
Wallah Gunda alone , a crime novel by Ved Prakash ) . The rich macho town, a
mere hour’s drive from Delhi , remains the
biggest producer of sports goods and musical instruments in India and
bicycle rikshaws in the world. Meerut
district has always had high crime rates and a romantic core harboured by
outlaws all the world over. So when it is not making money or looting it, its
fancy turns to thoughts of romantic comedies and crime fiction .
After the death of Nautanki, a
folk theatre form replete with music and melodrama , Meerut took to producing regional language
films for the vast rural audiences who watched them on inexpensive ( starting at Rs 1000) VCDs
that could be run on tractor batteries . And by the first decade of this Century, Meerut had a thriving multi crore film
industry employing 15,000 young men and women . Mollywood as some called Meerut ’s film industry, catered
to three rich states in the sugar belt : Haryana , Delhi NCR and UP. I chanced upon this nugget
of information during my tenure as a member of the Indian Board of Film
Certifcation, authorized to check and sign the release certificates of regional
language films . This film industry was marked by the energy , audacity and speed ,
so cherished by this gun loving sugar belt . And it refused to feel inferior to
Bollywood . Infact, in a newspaper interview Uttar Kumar , the hero of the run
away hit film Dhakad Chhora, claimed that Vishal Bhardwaj’s Omkara has actually
copied them !
“This is our greatest film !”
( Yo sai mharee Dhakad Fillum !) says Ombir of village Bagpat who has already
seen Dinesh Chaudhary’s ,‘Dhaakad Chhora’ , the runaway Haryanavi hit of 2004 ,
nine times . He adores its hero Uttar Kumar and heroine Suman Negi ( the
Aishwarya Rai of the sugar belt , also the highest paid actor in Haryanavi
films) . “ Hallaat ka to humein na pataa per yahan to taliyan in Filmon pe hee
bajey hain ! ( I know nothing about the state of film industry but here these
are the films that get all the applause ) , he says . He can recite verbatim the immortal dialogue between the hero and his girl friend's father :
Father: ‘Your death has
brought you here .
(Tujhe
Teri Maut yhana Kheench Lai hai !)
Hero: ‘ Tis not my death Samaruddin ! but Shabnam’s
love that has brought me here .’
(Maut nahin Samaruddin ,
Mujhey yahana Shabana Ki Muhabbat kheench Lai hai !)
Thunderous claps !
Compared to Mumbai ,films could be produced in Meerut on shoestring budgets
ranging from 2 to a few lakhs . This was a micro fraction of what a Bollywood superstar
charges ( even the hit Dhakad Chhora , was produced within 3.5 lakhs). Actors’
fee ranged from Rs 5000 to Rs 10,000 a day , most of the shooting took place in
village homes or on the side of canals and highways and wraps up within 10 to
20 days . The ready film , (usually to be distributed through the T series from
Delhi ) only needed a certification from the regional
offices of CBFC located in New Delhi
. This was easy, given that these films fell in the category of regional dialect
films .
Crew was easy to come by . It consisted of camera men who learnt their
job by making wedding videos , small time construction industry wallahs ,
manufacturers of hand pumps , housewives also doubling up as social workers ,
sons of celebrated wrestlers (Pehelwans) . All rode this bandwagon and enjoyed
the ride vastly while it lasted. Most comedies , as in Malegaon films , were spoofs of popular
Bollywood productions or satires on local quirks ( Teri Meri Mughal e Azam , Rampur
Ka Bunty Aur Babli , Choron Ki Barat , Chunav Pradhani Ka , Padosan Achhi Hai ,
Begum 16 saal ki , Ziddi Jat , Bibi nahin Bomb hai ) . Fights take place
usually along canals with Lathis while romantic duets are sung upon buffalo
Buggis or against the verdurous greens and yellows of mustard or sugarcane
fields . Lathis replaced guns , hijackers are caught when their planes are
brought down by Hookah power and Thugs cheat farmers out of their tractors and
buffalos using ingenuous excuses .
All that is now gone! Behenji
( sister), says an old friend and newspaper correspondent to me . Today most
film theatres and recording studios are locked up or turned into malls . Our own Vishal Bhardwaj
started the trend for going away to Mumbai films and producing big budget films
about west UP like Omkara . If people can hear our folk songs in the voice of
sophisticated singers and see fights and special effects mounted at a cost of
several crores, who will see our home productions ? Everyone is watching Bollywood on laptops
distributed by Akhilesh Yadav( the Chief Minister’s). And anyone can download from the UTube today . Iss Ghar Ko Aag Lag Gai
Ghar ke Chirag Se ! ( This house was set on fire by its own lamp!)
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